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Conversation may be divided into two classes—the familiar and the sentimental. It is the province of the familiar, to diffuse cheerfulness and ease—to open the heart of man to man, and to beam a temperate sunshine upon the mind.—Nature and art must conspire to render us susceptible of the charms, and to qualify us for the practice of the second class of conversation, here termed sentimental, and in which Madame de Menon particularly excelled. To good sense, lively feeling, and natural delicacy of taste, must be united an expansion of mind, and a refinement of thought, which is the result of high cultivation. To render this sort of conversation irresistibly attractive, a knowledge of the world is requisite, and that enchanting case, that elegance of manner, which is to be acquired only by frequenting the higher circles of polished life. In sentimental conversation, subjects interesting to the heart, and to the imagination, are brought forward; they are discussed in a kind of sportive way, with animation and refinement, and are never continued longer than politeness allows. Here fancy flourishes,—the sensibilities expand—and wit, guided by delicacy and embellished by taste—points to the heart., The Abate during this discourse preserved a sullen silence; his eyes were bent to the ground, and his aspect was thoughful and solemn. When madame ceased to speak, a pause of profound silence ensued, and she sat in anxious expectation. She endeavoured to anticipate in his countenance the answer preparing, but she derived no comfort from thence. At length raising his head, and awakening from his deep reverie, he told her that her request required deliberation, and that the protection she solicited for Julia, might involve him in serious consequences, since, from a character so determined as the marquis's, much violence might reasonably be expected. 'Should his daughter be refused him,' concluded the Abate, 'he may even dare to violate the sanctuary.', Night-birds are we:.